Showing posts with label watercolor. Show all posts
Showing posts with label watercolor. Show all posts

Tea and Jewelry

In the midst of studying for the four tests I take today (yes you read that correctly!) I was pretty productive this last week! Here's a quick look at my latest projects. :) 

(Also I need help naming posts, apparently. I was going to name it "New Finished Projects" or "Updates" and then decided to be boringly descriptive and name it "Tea and Jewelry"... oh well. Please tell me that other bloggers have this problem, too!)

New in the Sketchbook:

You can never get a cup of tea large enough or a book long enough to suit me.' - C.S.Lewis
I'm working on a series of small sketches and illustrations for the wonderful Regina Doman. It's actually an old project that didn't go anywhere before-- she's bringing it to life! Regina Doman is the author of some wonderful fiction novels (such as the Fairy Tale Novel Retold series) and fellow fans of hers have been very instrumental in my life.

During her travels, Regina will do "Fairy Tale Tea Parties" in which she will give talks and sign books at small tea parties hosted by fans. The illustrations are for a tea party booklet!


This is a work in progress shot from my Instagram account (which y'all should follow for more behind-the-scenes of making art and jewelry) with a couple more of the sketches.


 New in the Shoppe:


Here's a peek at the newest listings in my Shoppe. I made some pieces for custom orders, too.

Bluebell Chainmaille Bracelet-- I'm especially proud of figuring out a brand new chainmaille weave! (Well, brand-new to me!)
Aurora Rhinestone Pearl Earrings -- designed to go along with my Princess Aurora circlets and cuffs
Blue to green ombre chainmaille bracelet
This bracelet took quite a bit longer than most pieces I make using this weave, since it is too tiny! It's more feminine and elegant, and of course I made this with my all-time favorite color pairing: bright, non-tarnish sterling silver, and a huge variety of shiny blues and greens!
Autumn Red flower spray leaf hair clip -- that's a really long name for this piece but at least it's descriptive. 
Here's the same hair clip on a lovely model!
Mint Green chainmaille flower bracelet. I LOVE combining the ultra-modern, sleek look of colorful enameled wire with the historical look of chainmaille and the whimsical fun of my signature leaf flowers!
Golden Galadriel Star Flower Earrings-- with green crystal dangles
Rustic Celtic Copper Cuff
OK, so this one is a bit of a cheat-- it's not a new item in my Shoppe. It's been up for a couple weeks. But during a fantasy-themed photoshoot, I photographed this stunning model wearing the copper cuff from Eowyn's Jewelry Set. The gown was handmade by a friend of mine, and the sword is a replica of Glamdring-- Gandalf's sword from the LotR movies!

Summer Greens Enchanted Forest Earrings. The Enchanted Forest earrings seem to be a favorite-- they are at once elegant and elven. I normally make them in solid colors, but these various shades of green just called to me. Also, can I geek out about this photograph? I don't know how I got the sunray to be "just so" but I'm loving it!

Namárië


I finished this calligraphy piece several months ago but forgot to blog it-- it's J.R.R. Tolkien's beautiful poem Namárië from The Lord of the Rings. It is written in Quenya (the High Elvish language). On the left, the poem is written in our alphabet, and on the write, it is written in the Tengwar (Elvish) script.

The poem is a beautiful piece which the Lady Galadriel sings to Frodo when the Fellowship leaves Lothlorien to destroy the Ring. 

I didn't have space to fit the entire poem on my little sheet of paper board, so I just used the first stanza and stuck the final two lines (about farewells and finding Valinor) on at the end. 


The border was done entirely freehand using india ink and watercolors. I am pretty proud of it-- this was my first time making an Art Nouveau border, and I'm getting better at making celtic knots with decorative tips.

The heraldic device at the top is the symbol for Feanor, as designed by Tolkien himself. I thought this device would be fitting because not only is Feanor Galadriel's anscestor (if I have my genealogy straight), but it was mostly because of his family that the Elves were banished from Valinor-- and this poem is all about Galadriel's longing for Valinor when she thought she could not return, but nonetheless wished that Frodo may make it there one day. (Valinor is sort of like an Elvish heaven-- sort of, not really, but it's the best description I can come up with off the top of my head).


Here's the English version of the poem:
Ah! like gold fall the leaves in the wind,
long years numberless as the wings of trees!
The years have passed like swift draughts
of the sweet mead in lofty halls beyond the West,
beneath the blue vaults of Varda
wherein the stars tremble in the song of her voice, holy and queenly.

Who now shall refill the cup for me?

For now the Kindler, Varda, the Queen of the Stars,
from Mount Everwhite has uplifted her hands like clouds,
and all paths are drowned deep in shadow;
and out of a grey country darkness lies on the foaming waves between us,
and mist covers the jewels of Calacirya for ever.
Now lost, lost to those from the East is Valimar!
Farewell! Maybe thou shalt find Valimar.
Maybe even thou shalt find it. Farewell!

______________
For those of you complete Tolkienites, the title of this blog post ("Farewell") is not about me saying farewell to blogging or anything. I have one more crazy busy week of school left, and after that I will be taking a couple of days to just do nothing and not feel guilty about it (in other words, I will curl up on the hammock for two days and do nothing but devour some novels and drink lots of iced tea and catch up on TV shows before bed). After that, however, I will be working on some of the hundreds of creative projects that have been clanking around in my brain. :) 

It's so incredibly strange to think that I am almost done with high school. It's been a beautiful four years and I've learned and grown so much! For all of you still in school, when does your summer vacation begin?

DIY Altoids Watercolor Tin


Watercolors are a very handy paint because they are reusable once dry and you don't need to use a lot of paint to make a good painting. Plus, after a year of struggle, I'm starting to fall in love with watercolors and always like to have them handy.

But unless you are willing to shell out an exuberant amount of money on solid pan watercolors (or are willing to work with kiddie palettes seen in kindergartens around the world), watercolors aren't very portable.

Until you find an Altoids tin and a few hours for crafting. :)

The pictures are pretty self explanatory, so I'm not going to bore you with a bunch of rambling details and interesting tangents. Allons-y!


All you need is an Altoids tin, Mod Podge or another decoupage glue, paint sample cards (the kind with the glossy finish), and some watercolor tubes!



The height of the separators is up to you. 1 cm did the trick for me. It keeps the paint in but gives the tin some wriggle room so I can fit in mini paper, paper towel bits, pencil stubs, and mini paintbrushes, too.



At this point, I realized I needed more accordion-fold-paper-thingamabobbers, made a second one, and glued them together.


I then made some more separators so I could fit more colors into the tin. They are 1 cm wide and nestle into the accordion-fold paper..



Make sure that no paint can escape between the separators. Coat all the edges and corners with 2-3 thick layers of Mod Podge. Drying time between each layer will be exasperatingly long (about an hour) but it's worth it. For good measure, coat everything with Mod Podge just in case your paint card isn't glossy enough to be relatively waterproof.

As you can see from this picture, I hadn't properly sealed the separators and the red paint leaked.


These are colors that went into my tin. They don't have color names on them (they are from a set of watercolors my parents gave me when I was 10, and which I've only recently used. Notice how all the tubes are already breaking and paint is squishing and squashing all over the sides-- this is the perfect way to save old tubes of paint that would otherwise be hard to use!).



I wanted a wee container for holding water so that my kit could have everything I need for a tiny painting. After scavenging the house and testing out tiny plastic containers, I decided on the little plastic case that my brother's tiny scapular came in (far right).


I wanted to use the lid as a mixing palette, but didn't like the shiny gray, so I cut a plastic page separator from a notebook and glued it onto the lid.


There is still room to set some paper, paper towels, pencil stubs, and miniature paintbrushes on top of the watercolors.


Of course, it's not finished until you Mod Podge on a hand painted cover. And spelling watercolors the British way is a necessity. *nods gravely*

Overall, this is a fairly quick project that is absolutely free for people who have crafting materials hanging around. Well, the "curiously strong" mints aren't free, but you get to eat those so it's no biggie splurging a couple dollars. :)

If you attempt this project, please leave a comment! I'd love to check it out. :)


I made two tins, and the second was ultra miniature! I used one of those metal and plastic sleeves that allergy pills come in. The holes for the pills are the perfect size for a drop of paint. This one is so small that I can shove it in a pocket or tiny purse with no problem!

UPDATE:


After two years of dragging this tin around with me, it's still going strong! I brought it along with me to college, where it's come in very useful. I'll stash it in my backpack and work on sketchbook homework during my spare time-- or while eating a splurge of a breakfast ten minutes before a lecture class!

I highly recommend that anyone making a travel watercolor box invest in a waterbrush. These are paintbrushes that you can load with water, and they cost less than $7 at most stores.

The Road Goes Ever On and On

I've done some Lord of the Rings artwork lately. Here's a "triptych" (actually, just three paintings in a series, I just want to use "triptych" because "triptych" is a cool word and I like cool words. Triptych is cool. *adjusts bow tie*), a triptych of Tolkien's brilliant "Roads go ever on and on" poem.

Each drawing is based off of different verses or versions found in The Hobbit and The Lord of the Rings. I'll send you off to my DeviantArt pages for more info ( "The Road from Bag End", "The Road Back Home",  and "The Road to Mordor").






There is one last version of this poem that I could find, spoken by the elderly Bilbo at the end of all the adventures:


"The Road goes ever on and on
Out from the door where it began.
Now far ahead the Road has gone,
Let others follow it who can!
Let them a journey new begin,
But I at last with weary feet
Will turn towards the lighted inn,
My evening-rest and sleep to meet."

I'm dearly tempted to paint that one, too. But then I wouldn't have a triptych.



The scanner wasn't kind to my paintings, so here's some photos for comparison.

While working on this, I listened to my favorite versions of this walking song:

I can't sing well, but this is an easy tune and I memorized it so I can sing it while walking the hiking trails... yes, a total geek here!

Not so fond of this one, but love the musical's version of "The Cat and the Moon."

Again, not as fond of this particular version, but love the band's other songs-- and their version of "Beren and Luthien" is incredibly haunting.

The movie version (Gandalf humming/singing it)

Which version do you like best? And which verse of the poem is your favorite?